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all these open windows, but no fresh air

Contributed by Svenja Eisenbraun on Aug 15th, 2018. Artwork published in
circa August 2018
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    Half-title
    Source: http://svenjaeisenbraun.de René Schiffer. License: All Rights Reserved.

    Half-title

    The book all these open windows, but no fresh air was designed as part of a master thesis project at PBSA Düsseldorf. It deals with the cultural consequences of digitization. In order to give this research project a certain look of neutrality, the superfamily Suisse was chosen. It does a good job: the neo-grotesque typeface follows the Swiss neutral style, but has many subtle differences. Whether using the monospaced, sans-serif or serif style, the three typefaces work together harmoniously and help to structure the book.

    Photos: René Schiffer

    Table of Contents
    Source: http://svenjaeisenbraun.de René Schiffer. License: All Rights Reserved.

    Table of Contents

    Process
    Source: http://svenjaeisenbraun.de René Schiffer. License: All Rights Reserved.

    Process

    all these open windows, but no fresh air 4
    Source: http://svenjaeisenbraun.de René Schiffer. License: All Rights Reserved.
    Details
    Source: http://svenjaeisenbraun.de René Schiffer. License: All Rights Reserved.

    Details

    all these open windows, but no fresh air 6
    Source: http://svenjaeisenbraun.de René Schiffer. License: All Rights Reserved.

    Typefaces

    • Suisse Int’l
    • Suisse Works
    • Suisse Int’l Mono

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