Ned Kelly (1970) movie posters
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Note the weird proportions of Univers in the last image. This is the version made for the IBM Selectric Composer which we have already encountered in the Kleding maken post. IBM’s engineers had come up with a system of nine units for all letter widths, which proved to be a challenge for Adrian Frutiger when he was asked to adapt his Univers to this coarse system:
[…] the biggest problem was that each letter of the alphabet was given a fixed unit, no matter which typeface was used. They had used Times as the basis, and texts that were typed using a classic typeface didn’t look like they were done on a typewriter – they printed well. With Egyptienne and grotesque typefaces, i.e. with all other styles, however, there was a problem. Let’s take the s for instance: in Times it’s relatively narrow, but in a grotesque like Univers it’s wide. And that’s exactly where it started to get difficult. The Univers s should have had five instead of the allocated four units. The g is too narrow as well. The classic g has a narrow form but the grotesque g has a wide one, just like a d or q. The crippled g is a typical characteristic of the Composer-Univers. But it was worse with the F and T. You can clearly see the big gaps.
From Heidrun Osterer, Philipp Stamm (ed.): Adrian Frutiger – Typefaces. The Complete Works. 2014.
And what about the bold for “BUT” – was it made by double-stroking?