The double vinyl LP comes housed in a black and white gatefold jacket designed by Gwenaël Rattke featuring a photograph by Susan Middleton, an essay from bandmate Maurice Tani, and an 8.5×11″ insert with notes. […] [It is] released in tandem with Cowley’s homoerotic journal of the same title. […] — Dark Entries Records
It comes with a number of unusual letterforms, like the single-legged A or the headless S. Its w/W might be the hardest to swallow (unless you happen to aim for a pretzel-themed identity). This album cover features not one, but two substitutes for the unwieldy glyph. The artist’s name includes a customized form with diagonals that might have been made from a double v. The track list on the back cover shows another, simpler, and more convincing approach: The w in “breakdown” is an upside-down m.